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Question of Mr.Robin Halwas
- robin.halwas@btinternet.com I introduce myself as a
dealer in London. I have for sale in my gallery three
associated needlework panels embroidered in silk:
(1.A) 89/91 × 340 cm (2.B) 89/91 × 218 cm
(3.C) 89/91× 218 cm
After some research, I have concluded that the
panels most probably are Roman work of the 1630s or 1640s
or, just possibly, Parisian work of the same
period.
I am interested in knowing
- whether anyone has come across figurative
panels of similar size, either directly, or in
seventeenth-century inventories?
- Can the panels be localised by either materials or
technique?
- Can anyone report comparable use of faceted glass studs for
decorative features such as buttons, rings, and rivets on
the armour, and bridles?
Materials and
technique
For all three panels, the ground is plain-weave
(tabby) linen, on which the design is drawn and shaded
with a grey-brown colour wash. The surface is entirely
covered with polychrome floss silks in long or short
needle-painting stitches; the outlines are worked in
split and stem stitches, and details (costume,
architecture, etc.) are in laid and couched work, French
knots, satin and spaced satin stitches (some stitches are
worked slightly differently on panel a, on which padded
satin and brick stitches are used, the latter notably on
the trees). Additional outlines are of couched metal
thread and a little metal strip; for details such as
stirrups, sword hilts, and costume features, the metal
thread is laid over a cord to give a raised effect;
other, larger details are worked with laid metal thread
couched in decorative patterns (some areas are padded).
Faceted glass studs are used for decorative features such
as buttons, rings, rivets on the armour, and bridles.
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